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It’s a truism of musical performance that everything you do, sounds. Every aspect of your movement at your instrument has a profound effect on the musical result. We mostly rely on our early training and intuition to arrive at convincing pianistic artistry, but what if we could return our physical self to the spotlight, examine it under the microscope and hone it to yield greater musical riches. It’s a difficult but eminently rewarding path of growth.
This first seminar will examine some fundamental assumptions about the hand’s interaction with the key in the light of an intriguing metaphor: the hand as a mini-body that has legs/fingers, a pelvis/hand and a torso/forearm. When a Feldenkrais view of skeletal mechanics is brought to this mini-body, the hand acquires a new freedom and incisiveness in its relation to the key and ultimately to the music.
Seminar Structure:
Monthly dates 2021
Dieser Kurs besteht aus mehreren Einheiten.
Alan Fraser
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